
Install and activate Filmbox Looks
- Sign in to your Video Village Account and find your Filmbox Looks license page.
- Download the Video Village Plugins app.
-
On the license page, select
Activate on this deviceto launch the Video Village Plugins app and install your license automatically. - In the Video Village Plugins app, select
Final Cut, then selectInstall. (Final Cut Pro must not be running during installation.)
Color management
Create a library set to Standard Gamut SDR.
Disable Color Conform on all media by selecting all clips and disabling Color Conform in the Media Properties pane. This prevents Final Cut from applying a look to your footage.
If you are working with clips from different cameras, you may want to convert them to one common working space using the Video Village Camera Conversion LUTs that come with Filmbox.
Add Filmbox Looks to an adjustment clip
In Final Cut Pro, both Filmbox Pro and Filmbox Looks use the effect named Filmbox.
We recommend applying Filmbox Looks to an adjustment clip above your footage.
- Choose
Edit → Add Adjustment Clipand extend the clip to cover the shots you want to affect. - Choose
Window → Show in Workspace → Effects(or pressCommand-5) to open the Effects browser. - Select Video Village under
VIDEOand find Filmbox. You can also typeFilmboxin the search field at the bottom of the browser. - Drag the Filmbox effect thumbnail onto the adjustment clip in the timeline.
- Select that clip, choose
Window → Show in Workspace → Inspector(or pressCommand-4), then click theVideobutton at the top of the inspector to access the plugin controls.
Using an adjustment clip allows Final Cut Pro to render Filmbox Looks at the timeline resolution instead of the clip resolution, which may improve performance and texture quality. You can also drag Filmbox directly onto a footage clip for shot-specific control.
Select the color space of your footage in the Filmbox Source setting, or select LogC4 if you are using the Video Village Conversion LUTs.
Interface Tour
- Source: Select the colorspace your footage was recorded in.
- Camera: Adjust true Exposure, Temp, and Tint of the footage, just like on the camera.
- Looks: Select a Look from a Family of looks with similar characteristics.
- Look controls: Adjust basic characteristics of the selected look.
Looks Library
Looks are organized into Families that share core characteristics. “II” Families are general-purpose emulations ordered from cleanest to most filmic: grain, halation, gate weave, dust, and photochemical color character generally intensify as you move toward 8mm.
- Clean & Commercial: Neutral color with minimal grain and halation; no weave or dust.
- Idealized 35mm: Versatile film color with restrained grain and texture.
- Full 35mm: Authentic 35mm color, grain, halation, dust, and weave.
- 16mm: Gritty small-gauge texture with stronger grain, halation, and weave.
- 8mm: Nostalgic home-movie texture with heavy grain, halation, weave, dust, and flicker.
- Pastel & Low-Contrast: Soft, airy color with restrained contrast.
- Photography: Popular still-film negatives, including halation-heavy CineStill looks.
- Iconic: Homages to movies with distinctive visual identities.
- Vintage Cinema: Period looks based on older, often expired cinema stocks.
- Black & White: Monochrome looks with varied tone, grain, and texture.
- Extreme: Unconventional film looks that push color and style.

Made in California