The gold standard for film emulation.
Every detail of film's look and feel, faithfully rebuilt for digital cinema.








Exceptionally accurate
Built from empirical data to be an organic and
comprehensive embodiment of photochemical imaging.
Detail & Halation The physics of emulsion enables film to render detail in ways that are notoriously difficult to faithfully reproduce. "Halation", "Acutance", and "Aura" are loose terms for pieces of a phenomenon far more complex than a glow. Filmbox uses advanced processing to achieve an indistinguishable match to a negative’s soft yet detailed character across its latitude and color response.
Color & Tone Dense datasets are used to transform spectral radiance values from the digital image to match the film negative’s complex response to those same light values across its latitude, along with its intricate interaction with print film — faithfully reproducing the combined response of a projected contact print on your display.
Grain & Texture Filmbox reproduces the tonal distribution of grain across the density of each channel of the negative emulsion as well as the structural and temporal qualities and even subtle large-scale effects of the development process as sampled from real scans.
Gate Weave & Dust Film transport mechanisms are not perfectly stable, and labs are not perfectly clean.
If desired, Filmbox can model the subtle instability of real 35mm and 16mm cameras, and procedurally place samples of real dust.
Fully stocked
Seven photochemical systems.
Ninety-eight film stocks.
Dance across the full spectrum of cinema and photography.








Vision3 ECN-2





Bleach Bypass ECN-2




Ektachrome ECN-2




Color Photo C-41

































Vintage Cinema































Reversal E6








B/W Photo






















Expressive controls
Simple creative controls that tune the image like analog physics.


Print style Move from a photochemical print to a telecine-style negative transfer, or blend the two. Learn more


Gauge Smaller film means stronger texture. Choose 8mm, 16mm, 35mm, VistaVision, or 65mm—or customize your own. Learn more


Acutance Shape local contrast, from fine texture to broader tonal separation, like a film lab. Learn more


Push and pull Explore the tonal and textural responses of over- or underexposed negative. Learn more


Hi-Sat Density Raise or lower the brightness of saturated colors. Learn more


Vibrance Tune color richness while protecting skin tones and keeping harsh colors in check. Learn more


Contrast Shape negative-like contrast while preserving shadows and highlights. Learn more


Split tone Push shadows and highlights toward opposing hues, like unevenly developed emulsion layers. Learn more


Printer lights Balance color with controls that behave like analog printer lights. Learn more


True exposure Adjust exposure and color balance as you would on set. Learn more
More in the guide
ExploreDeep customization
Tweak everything with dozens of parameters.
Professional features
Custom workflows, advanced color pipelines, and pro I/O.
Halation & Grain Only Mode Add grain, halation, and acutance within your own color pipeline. Learn more
ACES & RCM Use ACES 1.3/2.0 or Resolve Color Management without compromising accuracy. Learn more
Multi-node grading Grade between separate negative and print nodes, like a film scan DI. Learn more
HDR Extend highlight latitude up to 1000 nits while preserving filmic character across SDR and HDR. Learn more
Performance optimized Real-time 4K grading on a MacBook Pro. Multi-GPU support for blazing render speeds.
Input spaces Use major camera and intermediate spaces, or Rec.709 and P3 for approximate emulation. Learn more
Display spaces Master in major display spaces, with color-managed outputs and white-point simulation. Learn more
LUT export with metadata Export 33×/65× LUTs with the Filmbox color pipeline settings embedded as metadata. Learn more
User Preset export Export Filmbox configurations to .filmbox files to exchange grades between hosts like Premiere and Resolve. Learn more
Live on-set preview Preview Filmbox on live camera feeds with Livegrade Frontier or Resolve Live. Learn more
More in the guide
ExploreTwo delicious flavors
There's a way to give every project the soul of film.

Full Filmbox science, simplified controls.
From $29 every 3 months
or $199 perpetual

All the control. All the stocks. All the features.
From $129 every 3 months
or $999 perpetual
Compare Filmbox editions
| Feature | Filmbox Looks | Filmbox Pro |
|---|---|---|
| Film Engine | Full textural, spatial, and photometric simulation. | |
| Looks Library | 100+ tuned looks built from real film stocks
| |
| Film Stocks | No direct access to individual stocks | 98 stocks 8mm, 16mm, 35mm, full-frame 35mm, and 65mm gauges
|
| Modes |
|
|
| High-Rez Photo Mode | Supported | Supported |
| Controls |
|
|
| Display Colorspaces |
|
|
| Color Management |
|
|
| LUT Export | Not supported | Supported LUTs include Filmbox metadata, too |
| User Presets | Export Only | Import & Export |
| Max Resolution | No resolution limit | No resolution limit |
| Cameras & Input Spaces |
| |
| Performance | 4K realtime playback on a MacBook Pro in Resolve. Optimized for NVIDIA, AMD, Intel GPUs (Windows and Linux) and Metal (macOS) | |
| Multi-GPU | Multiple GPUs supported for both playback and rendering | |
| Works in apps | ||
| Operating Systems |
| |
| Resolve Live | Not supported | Live video feed processing via Resolve Live |
| Device Activations | 1 included Add-on activations can be purchased at any time. | 2 included Add-on activations can be purchased at any time. |


































Filmbox Looks
Filmbox Pro
Motion
Made in California