Source: [Display](https://videovillage.com/learn/filmbox/full-guide/display)

# Display

## Display Colorspace

Specify your monitoring environment or rendering intent. Settings marked with `D60` simulate a warmer white point within the actual white point of the space.

![Filmbox SDR and HDR display controls including Display Colorspace and Unroll Highlights](https://videovillage.com/images/learn/filmbox/full-guide/display-controls-ce27c7cb.jpg)

## HDR

![Tone curves extending from SDR brightness into a 1000-nit HDR highlight range](https://web-assets.videovillage.com/images/a91ca051c447c646e06a7b1cfdf4374043ef1d0792ab9c611581e1579c794ff3/hdr.jpeg)

When `ST2084` is selected, the contact print is directly mapped into PQ at 203 nits peak white. This is analogous to projecting the print with a bright bulb and will look identical to SDR outputs viewed at 203 nits.

An `Unroll Highlights` slider is presented for HDR display spaces, which allows for the characteristic highlight rolloff of the print to be unrolled to allow highlights to extend above 200 nits towards a more photometrically proportional representation of the scene. The max unroll value results in a peak white around 1000 nits; the exact value depends on the tonality of the negative.

`Unroll Highlights` is not analogous to a photochemical process, but it’s built to achieve a more dynamic image in HDR while keeping things looking filmic, and we think a value up to 0.5 (or about 400 nits) looks great.

[Filmbox in ACES](https://videovillage.com/learn/filmbox/full-guide/aces-davinci-color-management.html#aces) and [Filmbox in DaVinci Color Management](https://videovillage.com/learn/filmbox/full-guide/aces-davinci-color-management.html#davinci-color-management) are described separately in Color Management.